New York Times
Opera News
ZealNYC
The Observer
OperaWire
In the 2019/20 season, Jennifer Rowley adds two Verdi roles to her growing list of repertoire and she makes two highly anticipated house debuts: first at the National Theatre Prague as Amelia from Verdi’s Un ballo in maschera, and then at the Gran Teatre del Liceu in Barcelona in the title role of Verdi’s Aida. She returns to the Metropolitan Opera to reprise two of her signature Puccini roles: the title role of Tosca, and Musetta in La Bohème. She also sings Tosca for Opera San Antonio, making her house debut, and ends the season making her greatly anticipated house and role debut at Opera Australia as Elizabeth I from Donizetti’s Roberto Devereux.
Read MoreJan | 14, 17, 20, 23, 28, 31
Feb | 2, 2020
Aida
Gran Teatre del Liceu
Barcelona, Spain
FEB | 5, 2020
University of Miami
Miami, FL
FEB | 21, 2020
Baldwin Wallace Conservatory of Music
Berea, OH
FEB | 22, 2020
Baldwin Wallace Conservatory of Music
Berea, OH
APR | 15, 18, 2020
Tosca
The Metropolitan Opera
New York, NY
APR | 29
MAY | 2, 7, 2020
Musetta
The Metropolitan Opera
New York, NY
Jun | 30
Jul | 4, 8, 11, 13, 16, 2020
Elizabeth I, Queen Elizabeth
Opera Australia
Sydney, Australia
“I found her dynamic performance coupled with her incredible voice, to far exceed my expectations. She acted with not only her exquisite voice but her whole being. As Rowley sang through the well-known “Io son l’umille ancella” from Francesco Cilea’s verismo opera Adriana Lecouvreur, her connection to the stream of emotions was constant and mesmerizing. In this ultraromantic piece, Rowley…
Read More“The small cast of singers was highly experienced in their roles, and it showed. Soprano Jennifer Rowley needed the experience for the difficult title role. In Act One, Rowley portrayed Tosca as an immature, insecure woman full of petty jealousy. The character changes in Act Two to a woman of inner strength and decisive action. Rowley delivered the opera’s best-known…
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