An avid mentor to young artists, Jennifer led her first Virtual Artist Residency with Fort Worth Opera, where she held weekly themed Zoom masterclasses, engaging lectures, and casual Instagram Live chats with other singers, directors, coaches, and opera industry professionals. The success of that series led her to create an exclusive, six-week Virtual Audition Intensive with FWO to help singers navigate the new normal in the world of online auditioning. Additionally, Ms. Rowley returns to Baldwin Wallace University for her third Artist in Residency, where she will teach BW students in masterclasses and lessons and present a solo recital. Last season, she led masterclasses at SUNY Potsdam, Bowling Green State University, and the University of Miami, and she taught on the voice faculty at the International Summer Opera Festival of Morelia.
The following performances were unfortunately canceled due to the global pandemic: the title role of Tosca and Musetta in La Bohème at the Metropolitan Opera; her house and role debut at Opera Australia as Elizabeth I in Donizetti’s Roberto Devereux; Aida at Toledo Opera; and Beethoven’s Missa solemnis with the Philadelphia Orchestra in Philadelphia and at Carnegie Hall.
In the 2018/19 season, Ms. Rowley returned to The Metropolitan Opera for the title role in Puccini’s Tosca and her debut as Cilea’s Adriana Lecouvreur. Operawire celebrated her spectacular performance as Adriana Lecouvreur, which featured, “… a seemingly endless vocal line supporting by virtuosic breath support.” The season also marked her first appearance with the Maggio Musicale Fiorentino, singing Leonora in a new production of Verdi’s Il trovatore, and she later returned as the soprano soloist in Mahler’s Symphony No. 8, both under the direction of Fabio Luisi. Jennifer served as the 2018/19 Artist-in-Residence at Baldwin Wallace University, where she taught masterclasses and lessons and presented a recital. She concluded her season with her return to the Semperoper Dresden for her first performances as Valentine in a premiere staging of Meyerbeer’s Les Huguenots.
In the 2017/18 season, Ms. Rowley returned to The Metropolitan Opera in their new production of Tosca where she presented a “magnificent” (ZealNYC) portrayal of the tragic diva. She later starred as Leonora in Il trovatore on the Met stage, celebrated as “glorious, showing the listener the range her instrument truly possesses” (Operawire). She then made her debut with the Philadelphia Orchestra in a concert version of Tosca with Yannick Nézet-Séguin. Earlier in the season she performed the role with Nashville Opera. She began the summer with her Opéra National de Paris debut as Leonora in Il trovatore: “… an acclaimed debut on the Opéra Bastille stage … the singer’s youthful tone, her brilliant sound and her ability to emit beautiful spun lines which are marvelous … she seems perfectly at ease” (Forum Opéra). Hailed as a “force of nature from beginning to end” (Operawire) and “spectacular” (Wall Street Journal) in her portrayal, Jennifer ended the season with her debut in the title role of Simon Mayr’s rarely performed bel canto opera Medea in Corinto at Will Crutchfield’s newly-formed summer festival, Teatro Nuovo.