"…Ms. Rowley’s Zerbinetta stole the show…and after her large aria, graciously accepted her well earned standing ovation…"
 

- Asheville Citizen-Times, June 2004

Opera New Jersey - Mozart's Die Entführung aus dem Serail

"Moments of electricity burst forth when one of the female leads (Jennifer Rowley as Konstanze...) planted her feet and declared victory over a welter of notes...Rowley's mid-weight lyric soprano seemed a bit heavy for Konstanze's intricate music, but hearing a voice of that size move so quickly had something of a Joan Sutherland effect."

- David Patrick Stearns, The Philadelphia Inquirer, 2009

"Rowley confronts the superhuman demands of Konztanze’s challenging music with aplomb. She fashions a stream of affecting sound in the long lyrical lines of “Traurigkeit” and then negotiates the vocal fireworks in “Martern aller Arten” with a blend of passion and discipline."

- Robert Baxter, ConcertoNet, July 2009

"This year, the breakout discovery is the marvelous Konstanze, Jennifer Rowley. Rowley, an attractive, statuesque young lady, currently a part of the apprentice artists program at the famed Teatro Communale di Bologna, is a find. I haven't heard a Konstanze with Rowley's kind of dramatic metal in the voice since Edda Moser. But her tone quality reminded me of the ruby-like soprano of Carol Vaness, and the deep opulence and smooth power of Christine Goerke. Like Vaness, Rowley has admirable flexibility; she nailed several trills, even in the lowest lying parts of the fiendish vocal challenge Mozart set for this role, in the "Traurigkeit ward mir zum Lose". Rowley sailed through "Martern aller Arten" with flying colors...Rowley is one to keep an eye on."

- James Camner, author, Opera-L, July 2009

 

Press release for guest Alumna Recital – Baldwin Wallace College, Berea OH

"Those fortunate enough to see her in the Cleveland Opera’s production of Mozart’s The Magic Flute in a supporting role, or in the Kleist Center’s production of the same work as the majestic Queen of the Night, will surely agree that her lyric voice and commanding presence make her a unique, natural…diva."

 

- Laura Kennelly, Plain Dealer, February 2006

Janiec Opera Company-Brevard Music Center Amphitheatre

"…Ms. Rowley’s Zerbinetta stole the show…and after her large aria, graciously accepted her well earned standing ovation…"

"…strong, convincing, and well cast…"

 

- Asheville Citizen-Times, June 2004

Indiana University – Otello (Act III In Concert)

"…Ms. Rowley is a soprano with a unique voice of great warmth and beauty…and is to be commended on her intense dramatic interpretation…"

 

- Peter Jacobi, The Herald Times, 2004

Cleveland Opera – Die Zauberflöte

"Many smaller roles were more strongly cast, especially the three ladies (Jennifer Lyn Rowley, Sandra Ross, Laura Vlasak Nolen)…"

 

- Donald Rosenburg, Plain Dealer, April 13, 2003

Les contes d’Hoffman – Palace of the Secretary of Arts and Culture; Buenos Aires, Argentina (Translated)

"The performance featured guest artist Jennifer Rowley…a beautiful, young American soprano with great operatic potential."

 

- El Cronista, July 2002

Official site of soprano Jennifer Rowley. Copyright © VoxPage1.com. All Rights Reserved