Soprano Jennifer Rowley’s triumphant Metropolitan Opera debut in March 2014 as Musetta in La Bohème inspired universal critical praise, with The New York Times raving that she “made a splash […] maneuvering flirtatiously through the crowds and singing with a vibrant, agile voice.” Review after review commended both her voice, described as “dark and rich but also extremely flexible and clear” by ConcertoNet—as well as her fine acting. The New York Observer admired the “gravitas” that she brought to the final act, saying, “Usually, we have to take the character’s heart of gold on faith, but Ms. Rowley took the trouble to enact it.”
This debut marked the beginning of an exciting new career phase for Ms. Rowley. Her most recent engagements in the 2015/16 season included Tove in Schoenberg's Gurre-Lieder with the Sao Paolo Symphony Orchestra (OSESP), Leonora in Il Trovatore in a new co-production with Opéra de Lille, Théâtre de Luxembourg, and Théâtre de Caen, as well as Tosca with the New Orleans Opera. Her 2014/15 engagements included debuts as Musetta at the Royal Opera House, Covent Garden, Leonora in Il Trovatore at the West Australian Opera in Perth, and the title role of Tosca at the Semperoper Dresden. Coming up in the 2016/17 season, she returns to the Metropolitan Opera for both Rossini's Guillaume Tell and Alfano's Cyrano de Bergerac, as well as a debut as the title role in Barber's Vanessa with the Toledo Opera, along with concerts to be announced.
Her meteoric rise began when she burst onto the international scene as a last minute replacement in the title role of Donizetti's Maria di Rohan at the 2010 Caramoor Music Festival. Of the performance, which she gave with just one day's notice and one rehearsal, The New York Times stated, "Throughout, she sang with a fluid, darkly rich voice and expressively conveyed Maria's anguish," and Opera News noted that she "emerge(d) not just unscathed, but a real star...
Ms. Rowley followed that performance with critically acclaimed successes at the Norwegian National Opera as Musetta (released on DVD), as well as Finland’s Savonlinna Festival as Donna Anna in Don Giovanni. She made her Carnegie Hall debut singing Verdi's Messa da Requiem with the St. Cecilia Chorus and Orchestra, followed by performances at New York City Opera and returned to the Savonlinna Opera Festival for a world premiere of the first ever crowd-sourced opera. She made her debut at Alice Tully Hall the following fall, and was a featured guest soloist on the 10th Anniversary Gala with Opera
Hong Kong. In the spring 2013, she first joined the roster of the Metropolitan Opera where she covered Desdemona in Otello, before making her much lauded debut at the Spoleto Festival USA, setting the festival ablaze with an impressive double bill performing Anna in Puccini's Le Villi and Carmela in Giordano's Mese Mariano.
Ms. Rowley is a highly decorated soprano and has been recognized by many international competitions. She was awarded the 2012 Richard Tucker Career Grant, was one of the top prize winners in the 2013 Licia Albanese Puccini Foundation Competition and the 2011 Opera Index Vocal Competition, a winner of the 2011 William Mattheus Sullivan Musical Foundation awards, a first prize winner of the 2011 Gerda Lissner Foundation International Vocal Competition, a grant winner of the 2011 Licia Albanese-Puccini Foundation Competition, and the winner of the 2010 Metropolitan Opera National Council Auditions for the Michigan District.
Ms. Rowley made her professional debut in 2003 in Cleveland Opera’s Die Zauberflöte, conducted by Anton Coppola. As a young artist, she worked with the Scuola dell'Opera Italiana at the Teatro Comunale di Bologna where she made her main stage debut as Magda in La Rondine, The Opera Theatre of St. Louis, the Caramoor Music Festival, Brevard Music Center, the Instituto Superior del Arte of the Teatro Colón, and regionally at Michigan Opera Theatre.
Ms. Rowley received her Master's degree from the Indiana University School of Music and a Bachelor's degree from the Baldwin Wallace College Conservatory of Music. She holds a Certificate of Performance Achievement from the Instituto Superior del Arte of the Teatro Colón, and was a Max Kade Scholar at Middlebury College’s German for Singers Program.
By Amanda MacBlane